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August 14, 2026
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RIMPA
CULTURE
/
Art
Dec 4, 2019
Nakamura Hochu: The Osakan Rinpa pioneer
The Rinpa school of painting¡¯s initial phase was formed by the superlative talents of Honami Koetsu (1558-1637) and Tawaraya Sotatsu (c. 1570-c. 1630) in late 16th-century Kyoto. The aesthetics resonated with the grand and powerful ornamental inclinations of the Momoyama Period (1573-1603) ¡ª gold leaf...
CULTURE
/
Art
Dec 20, 2016
Raku: A traditional contemporary art form
At the opening of ¡°The Cosmos in a Tea Bowl: Transmitting a Secret Art Across Generations of the Raku Family¡± at The National Museum of Modern Art, in Kyoto, the current head of the Raku family, Kichizaemon XV (b. 1949), explained that the event would be ¡°an unprecedented and once-in-a-lifetime exhibition...
CULTURE
/
Art
Sep 20, 2016
Suzuki Kiitsu: Bringing modernity to Rimpa
The artist Suzuki Kiitsu (1796-1858) was long considered a late and somewhat minor player in the Rimpa school, which emerged in Kyoto early in the Edo Period (1603-1868). The Suntory Museum of Art¡¯s current exhibition now re-evaluates Kiitsu¡¯s career and his contributions to this tradition. ¡°Suzuki Kiitsu...
CULTURE
/
Art
Nov 3, 2015
Kyoto¡¯s Rinpa school is moving in many ways
At this moment, the Kyoto National Museum is showcasing some extraordinarily breathtaking work. Three sets of ¡°Wind God¡± and ¡°Thunder God¡± screens by three major Rinpa (also known as Rimpa) artists are being displayed together in the same location for the first time in 75 years. And where else but in...
CULTURE
/
Art
Sep 1, 2015
¡®The Entire Okada Collection of Rimpa: Hakone Joins the Rimpa 400 Year Celebration¡¯
Sept. 5-March 31
CULTURE
/
Art
Oct 9, 2014
The Yamatane Museum presents a brilliant show
Gold and silver have long been used in Japanese painting for their decorative value, on works ranging from intimate handscrolls to large-scale screens. But as the current exhibition at the Yamatane Museum of Art makes amply clear, in the last century or so tradition has been improved upon as modern and...
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